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Cui Jian’s song sings the voices of all young people

Cui Jian’s song sings the voices of all young people
Answer: A / B / C.On May 9, 1986, Cui Jian sang “Nothing” at the first “Hundreds of Stars Concert”. The deafening voice suddenly burst into the pan. This event is now considered by many people as the prelude to Chinese rock music.The popular songs of civilians in mainland China are sung by Guan Mucun, Li Guyi and others, but some of the main melody music going forward, “Xiang Lian” and “Little Flower” have been somewhat innovative.After the reform and opening up, after the popularization of Hong Kong and Taiwan music, more Hong Kong and Taiwan singers were known, and the popularity of mouth-deck music among some young people, trendy music in all directions flocked to the interior, and some people seemed to have opened new musicThe door to the world.Cui Jian’s song has been given a lot of meaning by future generations. There are many interpretations of the “nothing” roar. Some people think that he represents the youth to roar to the times. After the country opened, it was a world of flowers, but the opening of China was not only material or spiritualIt is temporarily boring, people reflect on this song.Any accidental speculation that Cui Jian was broken by himself in Luyu’s appointment for many years. On the show, he said that this is a love song.At that time, I thought about calling “You Follow Me” or “When Will You Follow Me”? I also thought about calling “1986”, because it was 1986, but because I found out that it was a feeling of nothing, I called”Nothing”.Although Cui Jian thinks this is a love song, he also said that no matter what you think when you create, it is not his job to get what the audience in the market thinks.After that, he also published works such as “Rock on the New Long March Road” and “Eggs to which Red belongs”, and young people of different eras can find resonance in his songs.Never before, Cui Jian is a man who can’t be bypassed in the history of Chinese rock. His courage at the time and his aggressiveness are all inherited by Chinese rock today.Written by Wu Longzhen, proofread by Lu Qian